Swarna Oushadha Seva at Nelliakkattu Bhagavathy Temple

 

Swarna Oushadha Seva at Nelliakkattu Bhagavathy Temple

Nelliakkattu Bhagavathy temple is located at Koothattukulam in Ernakulam district. Sri Bhadrakali and Sri Dhanwanthari are the main deities at this temple.  The devotees believe that the Ousahadas (medicine), which are part of the nivedyam offered at this temple, cure all diseases.

Though the Oushada Seva is performed at the temple throughout the year, the ‘Swarna Oushadha Seva’ during Navarathri festival is considered to be very special and popular. The devotees from all over the state visit the temple during the nine days of Navarathri for worship and also to participate in the Swarna Oushadha Seva.   This Seva not only cures the illness, but also rejuvenates, brings prosperity and helps the children to do well in education.

The Oushadha Seva is conducted at ‘Oushadha Seva Mandapam’ and the devotees are advised to chant mantras before taking the medicine. The Oushadha consists of a divine mix of around ten ingredients and gold.   It also includes ‘Vayambu’ which is given to the devotees as prasadam.

The prasadam being given to the devotee has to be taken in the presence of the Bhagavathy and the devotees have to come back to the temple after their wishes are fulfilled.

After the Oushadha Seva there will be ‘Kanji Vazhipadu’ at the temple oottupura and Kanji is served to all the devotees who participated in the Seva

The Nelliakkattu Bhagavathy presents here in a happy mood (Santha swaroopini).  The most auspicious days are the annual Thiru utsavam and Navarathri celebrations.

The Nellikkattu Mana in this village is very famous for Ayurvedic treatment, particularly for eye related ailments.

Anugraha daayini prakaasa varshiny Nelliakaattamme saranam

 

 

 

Hantha Bhagayam Janaanam

 

Hantha! Bhagyam Jananam!

This is the last line of the first sloka of Sriman Narayaneeyam. The last line is Guru Pavana Purey, hantha bhagyam jananam. It literally means being able to visit Guruvayoor is the biggest fortune of this life time.

This is the tag line of Guruvayoor and devotees can see this line at the entrance of the Guruvayoor temple and at many places inside the temple also. The sanskritised name of Guruvayoor is Gurupavanapuram. The temple is supposed to be 5100 years old. As the image had its origin at Vaikuntam, devotees consider this shrine as Vaikuntam on earth, or Bhooloka-Vaikuntam.

After slaying Kamsa, Lord Krishna installed His own idol at Dwaraka. This idol was given by Brahma to Prisni Suthapas, then to Adithi Kasyapa who then gave it to Devaki and Vasudeva. Later at the time of the ascent of the Lord Krishna at the conclusion of His incarnation, the idol was taken by Guru and Vayu (Pavana) and was installed at the present location at Guruvayoor.

First sloka of Sri Narayaneeyam

Saandra nanda vabhodaat makam Anupa mitham kaala desha vaadibhyam
nirmuktam nithya muktam nigama shathasaaha srenha nirbhaasya maanam
aspashtam drustamathre punaruru purushaarthath makam
bhrahma thatvam tthathavadbhathi saakshaad 
gurupavanapure hantha bhaagyam janaanam

Meaning

Sri Bhattadri describes the Brahma-tatvam or the Parabrahmam in the first three lines and and then he exclaims that the Brahmatatvam which cannot be described by hundreds and thousands of Vedas, Shastras and Upanishads, is verily present in the form of Sri Guruvayurappan even for the simple Devotee to see for himself!! How shall I describe the Bhagyam (good luck) of the Devotees!

Hantha! Bhagyam Jananam

Atham Pathinu Pon Onam

Atham Pathinu Pon Onam

Significance of Atham

Atham Pathinu Pon Onam. It means Counting 10 from Atha Nakshathram (Astham in Tamil) when the Onam will be celebrated. The day of Atham in the Malayalam month of Chingam, marks the beginning of Onam season and each of the next 10 days thereafter has its own significance. The making of Pookkalam (Floral Carpet) starts on this day. The Pookkalam will get bigger every day and on the Thiruonam day it turns out to be the largest.

Athachamayam

Athachamayam is a spectacular Onam procession at Tripunithura, near Kochi, conducted on the Atham day to welcome King Mahabali. The legend is that the King Mahabali who was pushed down to Pathalam by Lord Vamana, was given a boon to visit his kingdom and his people once in a year on the Onam day. Caparisoned elephants and folk art forms add to the splendor of this procession. This colourful carnival is connected to the erstwhile royal family of Kochi.

Thiru Onam

Thiruonam is regarded as the birth star of Lord Vamana, the fifth incarnation of Maha Vishnu. On the Thiruonam day a conical figure made up of clay and painted with rice flour paste, is placed in the courtyard. This is called Thrikkakarai Appan, who is Lord Vamana.

Onam is a harvest festival and it represents happiness and prosperity for every malayalee. The entire family gets together during this period and celebrates Onam. The children pick flowers from the neighbourhood and arrange Pookalam with the help of elder members of the family. The air is mixed with the aroma of Adapradhaman, Chakka varatti and Sarkara Upperi. Family members dressed up in their Ona Kodis will visit temple and offer prayers on this day.

To fully understand the Onam festival, one has to be familiar with the Onam terminology. Ona Kodi (New dress), Ona Sadhya (Onam Feast), Ona Kaligal (Onam Games) are all integral part of this festival.

Dances associated with Onam

Thiruvadhirai Kali (Kaikotti Kali)

Thiruvadhirai Kali is a unique dance form where the ladies wearing traditional Kerala white sarees dance around a pookkalam and a lamp (Nila Vilakku). They form a circle and dance to the song, clapping in unison.

Thumbi Thullal

Another dance, which is performed again by the woman folk, is the Thumbithullal where the women wearing traditional sarees sit down in a circle around the lead dancer and sing.

Kummati Kali

In Kummati Kali dance, the performers don heavily painted wooden masks and apparel made of plaited grass, and dance to the tune of traditional songs.

Ona Sadhya (Onam Feast)

This is the major attraction of the Onam Celebrations. There is a saying in Malayalam – “Kanam Vittum Onam Unnanam”. It means you should sell everything if needed to have the Onam Feast. Ona sadhya will be served at all Malayalee homes on all 10 days and on the Thiru Onam day there will be four types of Adapradhaman. The food will be strictly vegetarian and it will always be served on plantain leaves. The elaborate meal will contain 11 to 13 dishes. There is a fixed order for serving the meal and a set place to serve the various dishes on the leaf.

Ona Pudava (Ona Saree)

On the Uthiradam day, the Karanavar (elder member) of the family receives Ona Kazhcha, which are gifts mostly in the form of farm produce received from the farmers. In return the Karanavar presents the Ona Pudava or Ona Kodi (new Onam dress) to all family members and his servants

Ona Kalligal (Onam Games)

The games associated with Onam festival are called Ona Kalligal.

Pulikkali or Kaduva Kali

Puli Kali, an art form associated aith the Ona...

In Pulikkali the artists act as tigers, goats and hunters and dance to the beats of udukku and thakil. The artists who play the role of tiger are painted with yellow, red and black on their bodies. This dance form is very popular in Trissur and Palakkad districts.

Thalappanthukali

Thalapanthukali is a combination of football, volleyball and handball. The ball, which is used in this game, is made up of dried plantain leaves and coconut fibre wrapped around pebbles.

Onathallu (Onam Fight)

This is a stylish way to fight during Onam where men at their ruffian best take it out on the other.

Ona Pattukal (Onam Songs)

The Ona Pattuakal is supposed to be sung aloud, inviting people and prosperity into the house. These songs reflect the rich old tradition of Onam festivities.

Aranmula Boat Race and Valla Sadhya

Aranmula Vallam kali (boat race) is one of the most famous boat races in Kerala. Aranmula is a small town on the banks of Pamba river in Pathanamthitta district. On every Thiruonam day in Chingam month, Valla Sadhya is offered to the deity in the Aranmula temple and after the puja, the food is distributed among all the devotees. The rice, vegetables and other ingredients, which are required for conducting Valla Sadhya, are carried in a boat called Thiruona thoni, which is accompanied, by snake boats. It is a spectacular event, which no one should miss. Four days after the Thiruonam day, on the Uthirittathi day, the grand boat race takes place on the backwaters.

Modern day Onam

Some elders remember their olden days with nostalgia and observe that the Onam celebrations have changed over the last few decades. Some look at the modern day Onam celebration as more of a Government function than as a family function. This may be due to the disappearance of family bonding, joint family system and the emergence of nuclear families. It is partly true that the modern day Onam is celebrated with a shopping spree followed by ready to eat sadhyas and watching movies in television sitting at home.

But one can never disagree that despite the widespread commercialization of the Onam festival, it is still bringing people and families together. So one can conclude that the excitement and the feeling of oneness that Onam brings among people still remain intact.

Harivarasanam

 

Sri Hariharathmajashtakam (Harivarasanam)

Sri Hariharatmajashtakam popularly known as Harivarasanam is a devotional song recited at Sabarimalai at the time of closing the temple at night after the final puja. It is a lullaby for Lord Ayyappa. ‘Hariharatmaja” means the son of Hari (Lord Vishnu) and Hara (Lord Shiva). Ashtagam means a  sloka which contains eight parts. There are many Ashtagams in praise of various gods.  Another popular Ashtagam is  Lingashtakam which is in praise of Lord Shiva

This song was written by Kambamgudi Kulathur Iyer in a highly sanskritised Malayalam. In 1955, Swami Vimochanananda sang it for the first time at Sabarimalai.

Later this song was sung by VR Gopala Menon every day at the sannidhanam. He was a staunch devotee of Swamy Ayyappa and used to stay at the temple even after it was closed after the season. When Gopala Menon passed away, the Head Priest Eashwaran Namboodhiri heard about his death, and sang Harivarasanam at the time of closing the temple on that day. Thereafter this song was sung everyday without a break at the Sabarimalai Sannidhanam.

The temple now plays the song sung by KJ Yesudas every day. When the final verses are sung, the Keezh Santhis (assistant priests) leave the Sanctum Sanctorum one by one and when the song is completed the Mel Santhi (Head priest) extinguishes the lamps and closes the door.

Verses

Harivarasanam Viswamohanam
Haridadheeswaram Aaradhyapadukam
Arivimarddanam Nithyanarthanam
Hariharathmajam Devamashraye
Sharanam Ayyappa Swamy Sharanam Ayyappa
Sharanam Ayyappa Swamy Sharanam Ayyappa

Sharanakirthanam Bhakthamanasam
Bharanalolupam Narthanalasam
Arunabhasuram Bhoothanayakam
Hariharathmajam Devamashraye
Sharanam Ayyappa Swamy Sharanam Ayyappa
Sharanam Ayyappa Swamy Sharanam Ayyappa

Pranayasathyakam Praananayakam
Pranathakalpakam Suprabhanchitham
Pranavamandiram Keerthanapriyam
Hariharathmajam Devamashraye
Sharanam Ayyappa Swamy Sharanam Ayyappa
Sharanam Ayyappa Swamy Sharanam Ayyappa

Thuragavahanam Sundarananam
Varagadayudham Vedavarnitham
Gurukrupakaram Keerthanapriyam
Hariharathmajam Devamashraye
Sharanam Ayyappa Swamy Sharanam Ayyappa
Sharanam Ayyappa Swamy Sharanam Ayyappa

Thribhuvanarchitham Devathathmakam
Thrinayanam Prabhum Divyadeshikam
Thridashapoojitham Chinthithapradam
Hariharathmajam Devamashraye
Sharanam Ayyappa Swamy Sharanam Ayyappa
Sharanam Ayyappa Swamy Sharanam Ayyappa

Bhavabhayapaham Bhavukavaham
Bhuvanamohanam Bhoothibhooshanam
Dhavalavahanam Divyavaranam
Hariharathmajam Devamashraye
Sharanam Ayyappa Swamy Sharanam Ayyappa
Sharanam Ayyappa Swamy Sharanam Ayyappa

Kalamridusmitham Sundarananam
Kalabhakomalam Gathramohanam
Kalabhakesari Vaajivahanam
Hariharathmajam Devamashraye
Sharanam Ayyappa Swamy Sharanam Ayyappa
Sharanam Ayyappa Swamy Sharanam Ayyappa

Shrithajanapriyam Chinthithapradam
Shruthivibhushanam Sadhujeevanam
Shruthimanoharam Geethalalasam
Hariharathmajam Devamashraye
Sharanam Ayyappa Swamy Sharanam Ayyappa
Sharanam Ayyappa Swamy Sharanam Ayyappa

Sharanam Ayyappa Swamy Sharanam Ayyappa
Sharanam Ayyappa Swamy Sharanam Ayyappa
Swamy Sharanam Ayyappa Swamy Sharanam Ayyappa Swamy Sharanam Ayyappa

panchadreeshwari mangalam
hari hara premakruthey mangalam
pinchalamkrutha mangalam
pranamathaam chinthamani mangalam
panchasyadwaja mangalam
thrujagadhamadhya prabhoo mangalam
panchastropama mangalam
shruthisirolankaara san mangalam

Ona Villu

Ona Villu

Ona Villu is part of the Onam festival rituals and closely associated with Sri Padmanabhaswamy temple of Trivandrum. Ona Villu is a bow shaped wooden piece tapering on both sides. On this wooden piece miniature painting is portrayed.

The descendants of Puthanangadi Kannelan Madhavan Asari who lived in Travancore state during the 16th century do these paintings. This family, which resides even now in Vilayil Veedu, Karamana at Trivandrum, continues the tradition of making the Ona Villu for Sri Padmanabhaswamy. They observe vratha (penance) for 41 days prior to the commencement of this work until Thiruonam day.

On the Thiruonam day, the Ona Villus are taken to the Padmanabhaswamy temple and displayed at the Nataka sala . At the auspicious hour the Ona villus are handed over to the priests who place them on either side of the idol and conduct puja for three days. Each villu is dedicated to one deity. The Anantha Sayanam (reclining pose of Lord Vishnu) version of the villu is consecrated to Lord Padmanabha (Vishnu); the one with the Dasavathram painting is offered to Lord Narasimha; the one showing the Krishna-leela is dedicated to Lord Krishna; the one with the painting of Shri Rama Pattabhishekam is consecrated to the idol of Shri Rama. Similarly the Sastha painting is consecrated to Sri Dharma Sastha.

According to legend, when King Mahabali was being pushed into the earth by Vamana, Lord Vishnu appeared before him. King Mahabali asked that each year he could be allowed to visit his native land and to see the Lord Vishnu. Lord Vishnu granted him the boon, but said that the King would be able to see him and his avatars only as painted images. Lord Vishvakarman was ordered to paint images of Dasavatharam on pieces of kadambu wood. This was the origin of the Onavillu, which is put on display every year for King Mahabali to see.

Ona Villu is available in 3 sizes – 4.5 ft x 6 inches, 3.5 ft x 5.5 inches, 3 ft x 4 inches. The thickness of the ona villu will be half inch. The woods used are yellow kadambu, jack fruit, maruthu and aanjali. The painters use only vegetable colours for these paintings. Only four colours red yellow, blue, green and black are used for these paintings. The artisans use a wooden dye to cut the villu in the stipulated dimensions. This dye is centuries old and it is designed in such a way that all the three dimensions can be cut using a single dye. Another interesting feature is that the convicts in Poojappura jail (Trivandrum central jail) make the red tassels used to adorn the bows.

After the puja at the Padmanabhaswamy temple, the ona villu is available for distribution among the devotees. The devotees consider them as the symbol of prosperity. Advance booking is required for Ona Villu, which has already started this year. Devotees can book for buying the Ona Villu by paying Rs 1500 at the temple counters.

Nira Puthari – A tribute to Nature

Illam Nira

Illam Nira ceremony in Kerala is associated with harvest and it is a tribute to the nature. It is celebrated in Kerala temples during the month of Karkidakam (June-July) every year.

For Illam Nira, newly reaped paddy spikes are brought into the temple and on the next day special pujas are performed on the paddy spikes. ‘Illam Nira’ symbolically represents a very good harvest season in which the house is filled with rice for the next season.

Nira Puthari

Five days after the Illam Nira ritual is the Nira puthari ritual. In this ritual  the paddy spikes are used to prepare ‘Puthari Nivedyam’ and ‘Puthari Payasam’ – the rice offering to the deity with newly reaped rice.  The remaining  paddy spikes are distributed to the devotees who take it to their homes and hung in the rooms with lot of fanfare.

Nira Puthari festival in Padmanabhaswamy temple

During the days of erstwhile Travancore state, the Putharikandam Maidhan opposite to East Fort was a paddy field. The harvested crop served the needs of the Padmanabhaswamy temple and Kowdiar palace. On the Nira Puthari Day, the rich green paddy spikes were reaped from the paddy field and taken to the temple and offered to Sri Padmanabhaswamy.

Even though the Putharikandam Maidhan is now converted into a park and exhibition grounds, a small area is even now retained as a paddy field. This year the Mayor of the city along with the public, harvested the paddy and carried the paddy spikes to the temple. The newly harvested paddy spikes were received by the Maharaja of Travancore himself at the temple premises. On the next day it was taken inside the temple and offered to the deity and a special puja was conducted which was attended by the devotees in large numbers. After the puja, the paddy spikes were distributed to devotees, who carried it to their homes. It is believed that if these paddy spikes are kept at the puja room, it will bring lot of  prosperity to the devotees.

Vandhe Mukunda Hare

This celebrated track ‘Vande Mukunda Hare…’ from  the Malayalam movie ‘Devasuram’ (1993) was set in a rare sopana raga Samantha Malahari. Lyrics by Girish puthencherry and the Music director is  M.G. Radhakrishnan.

വന്ദേ മുകുന്ദ ഹരേ ജയശൗരേ സന്താപഹാരി മുരാരേ

ദ്വാപര ചന്ദ്രികാചർച്ചിതമാം നിന്റെ ദ്വാരകാപുരി എവിടെ

പീലിത്തിളക്കവും കോലക്കുഴൽ പാട്ടും

അമ്പാടിപ്പൈക്കളും എവിടെ

ക്രൂര നിഷാദ ശരം കൊണ്ടു നീറുമീ

നെഞ്ചിലെൻ ആത്മ പ്രണാമം

പ്രേമസ്വരൂപനാം സ്നേഹസതീർത്ഥ്യന്റെ

കാൽക്കലെൻ കണ്ണീർ പ്രണാമം

പ്രേമസ്വരൂപനാം സ്നേഹസതീർത്ഥ്യന്റെ

കാൽക്കലെൻ കണ്ണീർ പ്രണാമം

Vande mukunda hare jaya shaure santhapa Hari murare
Dwapara chandrika charchithamam ninte dwaraka puri evide
Peeli thilakkavum kola kuzhal pattum
Ambadi paikalum evide

Kroora vishada sharam kondu neerumee
nenjilen aathma pranamam
Prema swaroopanaam sneha satheerthyante
kaalkalen kanneer pranamam

Prema swaroopanam sneha satheerthyante
kaalkalen kanneer pranamam

Padmanabhaswamy Temple- A Temple of History

Padmanabhaswamy temple, a temple which has recently become rich in terms of wealth has always been rich in terms of history and culture. The four walls of this temple still whispers the historical richness of this temple. There are many legends and stories associated with this temple, the most famous being the story of a young radiant boy and an ascetic called Vilvamangalathu Swamiyar. The legend goes like this.

This young boy made a home with this ascetic. But he had a condition that he would leave the home immediately if any displeasure was shown to him. As luck would have it, one day this boy irritated the sage to such an extent that the sage got angry and pushed the boy away with the back of his hands. Offended by this the boy left the sage and ran away from the sage’s home. Immediately the sage heard a voice from the sky which said ” If you want to see me, come to ananthan kaatu( forest of anantha)” . The sage immediately understood the true identity of the boy as Lord Vishnu himself and went off in search of him to the specified forest. After many days, when he was sitting under a tree tired, he heard a Pulaya (a local tribe) woman scold her child ” If you do not stop wailing, i will throw you into Ananthan Kaatu”. Hearing this the sage was ecsatic and forgetting his tiredness, he rushed towards the woman and asked about the forest. After finding out the exact location of the forest, he blessed the woman and went off in the specified direction. Once he reached the place, he saw a huge ‘Iluppa’ tree crash down before him and turn into a massive form of Lord Padmanabha reclining on the serpent king Anantha extending 18 miles. At the saints request the lord transformed himself into the present size which was thrice the length of the sage’s staff.

But a temple was built around this statue after many centuries. There has been evidence that this temple was built during the tenth century. But official records tell us that the present day temple was built much later by Seraman Peruman and people started visiting this temple in huge numbers. It was in 1686 that this temple was destroyed in a massive fire. But it was rebuilt in 1729 by the Travancore Maharaja Marthanda Varma. In 1750, Marthanda Varma donated his kingdom. wealth and his royal sword to Lord Padmanabha and took and oath to protect Padmanabha’s wealth. Thus the Travancore kings came to be called as Padmanabhadasas.

Travancore dynasty- The protectors of Padmanabha Swamy’s wealth

                                              

Tirupati Balaji, the wealthiest Indian god would have never thought that he would have to face a stiff competition from his southern counterpart Sri Padmanabhaswamy. Located at the state capital of Kerala, Thiruvananthapuram, this low profile but famous temple has been drawn into a controversy due to a recent find about the immense wealth that is hidden within the four walls of this temple. The treasure consisting of gold, jewellery, coins, utensils and other valuables is worth more than Rupees 100,000 crores.

This temple which was built by the Maharajas of erstwhile Travancore region has always been considered one of the largest temples in India in terms of size but never in terms of wealth. But this find has catapulted this temple to the big league temples of India which is usually ruled by the famous four- Tirupati, Sabarimala, Shirdi and Guruvayur.

 The huge wealth associated with this temple can be credited mainly to the Maharajas of Travancore state who took great pain in protecting this wealth from getting plundered. At the same time due to their extreme honest and charitable nature they ensured that the wealth grew in only one direction.

The Travancore kings followed a lot of traditions most of which were followed with the sole interest of protecting the wealth of Sri Padmanabhaswamy. One of the traditions which is being followed even today by the Maharaja’s family is the wiping of their feet before leaving the Padmanabhaswamy temple. This is done to ensure that they do not carry even a single speck of sand with them that belongs to Padmanabhaswamy temple.

Another tradition that is strictly followed by the Travancore family is the taking up of responsibility by all male members to protect the wealth. The Travancore State was dedicated to Sri Padmanabha and He was treated as the King. When the male members of the Royal family attain the age of one, the boy is given responsibility to protect Padmanabhaswamy’s wealth and is called ‘Padmanabha dasan ‘or the ‘Servant of Padmanabha’.

Even the Travancore state emblem has a sign that reads ‘Dharmamanu Kuladheivam’ which roughly translates to ‘ Righteousness is our family deity’. This is the principle followed by all the members of Travancore royal family.

The Travancore Maharajas  started a tradition in which money was donated to the temple during every birthday or any function taking place in the family. The Maharaja also made it a point to give a fine to the temple whenever he couldn’t visit the temple as the kings were supposed to visit the temple every day. Thus it was more like one way traffic, money went in only one direction that is towards the temple. Over the passage of years this slowly started accumulating to a huge value and today it stands at a value more than 100,000 crores.

Parasurama Kalpa Sutra

Parasuram Kalpa Sutra

As per Hindu mythology, it was Parasurama who brought coconut tree to the earth from devaloka. He found the fruits of the coconut tree and an ashareeri on an akshaya tritia day. It was then that he started the sojourn to the south to establish what we now call Parasurama Khesthra, making the sea recede from south of the present day Gujarat to the tip of Kerala. This is the main reason for the abundance of coconut trees in this region.

In Sanskrit, the name for the coconut palm “Kalpa vriksha”, which means “the tree which provides all the necessities of life” or “wish-fulfilling tree”. The coconut tree is given a special place in most Hindu households and great care is taken to nature the tree. In the southern part of India, it is a must for every household to plant coconut trees. There is a popular saying, “Water the plant for five years, reap coconuts for life” . The coconut is used for all religious purposes. Infact, it represents the main “sthapana” of any pooja. The whole pot filled with water, mango leaves and coconut, also known as “Purnakumbha” is a symbol of Goddess Laksmi or Fortune and the coconut represents divine consciousness. To break a coconut in the beginning of any event is considered to be very auspicious. Coconuts are offered in Temples to worship to various Gods and Goddesses. The fruit is also believed to represent Lord Shiva and the three black marks on the coconut shell, symbolizes his eyes.

The following are the extracts from Parasuram Kalpa Sutra on coconut.

  • All devatas reside in coconut tree. Coconut water is sacred because it is not seen by anybody.

 

  •  Coconut plays an important role in omens.

 

  • Breaking the coconut into two exact halves denotes fulfillment of desire.

 

  • If there is a flower inside, it will bring success. It is considered very auspicious.

 

  • Whenever you want to break coconut, its three eyes should face outside.

 

  • Approximately one in 50,000 coconut will have only two eyes instead of the usual three. This is called Ardhanareeshwar.  Very rarely we may come across coconut with one eye. This is considered Parameshwar. These two varieties should not be broken but should be preserved after prescribed puja  for prosperity and peace of mind.

 

  • If the upper portion is three quarters and the bottom one quarter, there will be restlessness among the family members.

 

  • If the bottom portion is three quarters and the upper portion is one quarter, there will be theft in the house.

 

  • Breaking of coconut into many pieces indicates that there will be obstacles and continuous problems.

 

  • If there is a crack in the center eye, the head of the family will have problem from the government. If there is a crack in the right eye, the husband will have problem.

 

  • If the shell breaks into five or six pieces with complete copra inside, there is a likelihood of accident while traveling in a vehicle.

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